Nadia Pasquer

After studying drawing in Paris and teaching, Nadia came to La Borne. Modeling quickly replaced turning. In early 1990, she radicalized her approach with an economy of means: clay, two or three engobes, basic tools and cooking with sawdust.

It goes to the essential, to the essence of the sky. Nadia goes from ovoid shapes, to spheres, to geometric shapes with multiple faces. His creation offers an enigmatic, peaceful radiance. The universality of these forms, from the visible or the invisible, diffuses a timeless energy between the infinitely small and the unexplored infinity. Nadia's reflection, the basis of her work, refers to astronomy, poetry, architecture...

• Pottery

• Cultural activities